Audiobooks
Jan. 2nd, 2019 09:04 amA rainy morning after a rainy night. At least it's a light raining rather than a stormy rain. Maybe we won't be badly flooded and the cats will be able to go out as soon as tomorrow, even though this drizzly-fizzly rain is expected to continue into the night off-and-on.
"So, how is the 'Karamazov' audiobook going?"
Uh, well, it's not a bust. But I'm not as happy as I hoped I would be with it. The reader kind of turns me off. There was an audio sample at Amazon, and I thought he was okay, but it kind of wears on me in the long run. Though, at the same time, I wonder if it might have to do in part with the kind of narrative that it is. There is a lot of discursive narration over only a very few present-action scenes, which I'm afraid might make for a less absorbing work, at least as a listening experience.
If there is something to this, then it is interesting to note that this would also be a problem with "The Magic Mountain". Mind you, I'm not looking for car chases or sword fights, but only the sense of something happening - not a bunch of quick summaries of things that have happened. Maybe, for instance, that's why "1984" works. It makes you feel like you are tagging along with Winston in his ongoing life in Oceania.
Though, as far as "Karamazov" goes, I might only be struggling because I am at the beginning, in which there is a long set-up of the characters and their relationships. I'll see better once we get to the visit to the monastery, when I think the narrative becomes much more about present-action, and I will be able to see how that feels to me.
"So, how is the 'Karamazov' audiobook going?"
Uh, well, it's not a bust. But I'm not as happy as I hoped I would be with it. The reader kind of turns me off. There was an audio sample at Amazon, and I thought he was okay, but it kind of wears on me in the long run. Though, at the same time, I wonder if it might have to do in part with the kind of narrative that it is. There is a lot of discursive narration over only a very few present-action scenes, which I'm afraid might make for a less absorbing work, at least as a listening experience.
If there is something to this, then it is interesting to note that this would also be a problem with "The Magic Mountain". Mind you, I'm not looking for car chases or sword fights, but only the sense of something happening - not a bunch of quick summaries of things that have happened. Maybe, for instance, that's why "1984" works. It makes you feel like you are tagging along with Winston in his ongoing life in Oceania.
Though, as far as "Karamazov" goes, I might only be struggling because I am at the beginning, in which there is a long set-up of the characters and their relationships. I'll see better once we get to the visit to the monastery, when I think the narrative becomes much more about present-action, and I will be able to see how that feels to me.